Saturday 9th July 2016
£35.00 - £55.00
Timings: Doors Open 6pm, Support: 7.15pm, Main Act: 8.30pm
Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz. Harmonically rich and heavy with overtones, Sanders' sound can be as raw and abrasive as it is possible for a saxophonist to produce. Yet, Sanders is highly regarded to the point of reverence by a great many jazz fans. Although he made his name with expressionistic, nearly anarchic free jazz in John Coltrane's late ensembles of the mid-'60s, Sanders' later music is guided by more graceful concerns.
The hallmarks of Sanders' playing at that time were naked aggression and unrestrained passion. In the years after Coltrane's death, however, Sanders explored other, somewhat gentler and perhaps more cerebral avenues -- without, it should be added, sacrificing any of the intensity that defined his work as an apprentice to Coltrane.
Pharoah Sanders (his given name, Ferrell Sanders) was born into a musical family. Sanders' early favorites included Harold Land, James Moody, Sonny Rollins, Charlie Parker, and John Coltrane. Known in the San Francisco Bay Area as "Little Rock," Sanders soon began playing bebop, rhythm & blues, and free jazz with many of the region's finest musicians, including fellow saxophonists Dewey Redman and Sonny Simmons, as well as pianist Ed Kelly and drummer Smiley Winters. In 1961, Sanders moved to New York, where he struggled. Unable to make a living with his music, Sanders took to pawning his horn, working non-musical jobs, and sometimes sleeping on the subway. During this period he played with a number of free jazz luminaries, including Sun Ra, Don Cherry, and Billy Higgins.
In 1964, Coltrane asked Sanders to sit in with his band. The following year, Sanders was playing regularly with the Coltrane group. Coltrane's ensembles with Sanders were some of the most controversial in the history of jazz. Their music represents a near total desertion of traditional jazz concepts, like swing and functional harmony, in favor of a teeming, irregularly structured, organic mixture of sound for sound's sake. Strength was a necessity in that band, and as Coltrane realized, Sanders had it in abundance.
Sanders made his first record as a leader in 1964. After John Coltrane's death in 1967, Sanders worked briefly with his widow, Alice Coltrane. From the late '60s, he worked primarily as a leader of his own ensembles.
In the decades after his first recordings with Coltrane, Sanders developed into a more well-rounded artist, capable of playing convincingly in a variety of contexts, from free to mainstream. Some of his best work is his most accessible. As a mature artist, Sanders discovered a hard-edged lyricism that has served him well.
+ support: NIA LYNN + TOM CAWLEY TRIO
NIA LYNN vocals
TOM CAWLEY piano
SAM BURGESS bass
JAMES MADDREN drums
Nia Lynn is a highly skilled contemporary performer who is most widely regarded for her outstanding knowledge in the area of jazz performance and contemporary vocal pedagogy. Her initial training at the Guildhall School of Music & Drama Specialising in Jazz voice, has expanded to include further studies into community music, improvisation and composition, interpretation and delivery of text, body and breath, contemporary performance and vocal pedagogy. She is highly regarded as educator and facilitator and in demand as a clinician in Britain, Europe and internationally. She is a Voice Coach for the Royal Shakespeare Company and Theatr Genedlathol Cymru. Nia is currently Principle Study jazz singing teacher at the Royal Academy of Music and The Royal Welsh College of Music and Drama. Nia also leads a critically acclaimed jazz trio (The Bannau Trio) working in London and across the UK, exploring standards, songs, and originals in a chamber jazz setting with Gareth Lockrane & Ross Stanley. They are signed to Whirlwind Records. Their third album, Points of View, features Norma Wintsone who names the trio "some of Britain's finest musicians" They are currently working toward their fourth album due for release 2017. Nia Is also a fully accredited Yoga teacher with the British wheel of Yoga, as well as having a second masters in Voice pedagogy from Central School of Speech and Drama.
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