Thursday 26th July 2012
£100.00 - £150.00
Al Jarreau is one of the world's musical treasures. With his unique vocal style, seven Grammys, scores of international music awards, and popular accolades worldwide, he is one of the most exciting and critically acclaimed performers of our time.
He started singing at the age of four, harmonizing with his brothers and performing solo at a variety of local events in his hometown of Milwaukee, Wisconsin. Music, however, was not always the major force in his life. He excelled in sports and was an above-average student throughout high school and college.
Enrolling at Ripon College in Wisconsin, Jarreau continued singing for fun, performing locally with a group called the Indigos. He graduated with a BS degree in psychology. After moving on to the University of Iowa to earn his master's degree in vocational rehabilitation, Jarreau relocated to San Francisco to begin a career in rehabilitation counseling.
In San Francisco, Jarreau's natural musical gifts began to shape his future. He found himself performing at a small jazz club with a trio headed by George Duke, and by the late '60s he knew that he would make singing his life. He moved to Los Angeles, and began his apprenticeship in such famed nightspots as Dino's, the Troubadour, and the Bitter End West. Shortly thereafter he gained national network television exposure with Johnny Carson, Merv Griffin, David Frost, and Mike Douglas. Jarreau teamed with guitarist Julio Martinez to "spell" up-and-coming comics John Belushi, Bette Midler, Robert Klein, David Brenner, Jimmie Walker, and others at famed comedy venue The Improv.
In 1975, following an extended stint at the Bla-Bla Cafe in Los Angeles, he was spotted by Warner Bros. Records talent scouts and signed to a recording contract. His debut album for the label, We Got By, was released to unanimous acclaim.
Jarreau's career breakthrough came in 1977 when Warner Bros. Records released Look to the Rainbow, his live double album, which was culled from his first world tour, and which earned the vocalist his first Grammy for Best Jazz Vocal Performance.
Jarreau is considered one of the greatest, and most innovative, vocalists in the world. Time magazine recently named him "the greatest jazz singer alive."
As the title suggests, My Old Friend, Grammy-award winning singer and song stylist Al Jarreau pays a loving tribute to one of his longtime kindred spirits – the legendary keyboardist, composer and producer George Duke, who unexpectedly passed away last year. By gathering an impressive list of special guests that include bassists Marcus Miller and Stanley Clarke; saxophonists Gerald Albright and Boney James; and singers Dianne Reeves, Kelly Price, Lalah Hathaway and Jeffrey Osborne; among others, the new disc gives a delightful snapshot of Duke’s expansive musical range that includes post-bop, jazz-fusion, R&B and Brazilian jazz.
“I wanted to show part of the range of George’s music and the brilliance of his work, which accounts for the impact he had on various musicians in the last half century,” Jarreau explains.
Before Jarreau embarks on his invigorating exploration into Duke’s repertoire on the disc, he sets the stage with a gem he pulled from his own songbook, “My Old Friend,” from his 1981 landmark LP Breakin’ Away. Nestled inside a laidback, mid-tempo groove, the song’s themes of lasting friendship articulate the central theme of the disc.
From there, Jarreau invites fellow Concord Records artist and Duke’s cousin, Dianne Reeves, to sing on a gleeful rendition of Duke’s “Someday,” an early jazz-funk from his 1975 LP, I Love the Blues, She Heard My Cry. The two singers’ voices mesh spectacularly as the serenade Duke’s amorous lyrics. “It was wonderful singing that song with Dianne; it felt so right,” Jarreau recalls, obviously pleased with the new rendition.
Legendary bassist and producer Marcus Miller joins the party of a fantastic makeover of “Backyard Ritual,” a tune that Duke penned for Miles Davis’ 1986 classic Tutu. On the new version Jarreau adds mystery and caprice with lyrics touching upon the spiritual aspects to music-making. Miller provides not only the hypnotic bass lines but also a haunting bass clarinet solo.
Brazilian jazz played a huge role in both Jarreau and Duke’s respective careers. In fact, both fell in love with Brazilian music around the same time in the late-’60s. On the disc, Al tackles two songs from Duke’s phenomenal 1980 LP, A Brazilian Love Affair – “Summer Breezin’” and “A Brazilian Love Affair.” On the former, Jarreau supplies evocative lyrics that honor both the composer and the South American country while the latter finds Reeves returning for a funk-fueled rendezvous. Both renditions also showcase Clarke’s amazing electric bass work and deft arrangements.
With Clarke, Duke nailed an enormous pop-R&B hit with the 1981 ballad “Sweet Baby.” Clarke appears on this remarkable rendition too as well as Hathaway who lends her smoldering alto to the song, giving it a sense of sensuality.
As the Stanley Clarke/George Duke Project, the dynamic duo also recorded the soaring ballad “Every Reason to Smile,” featuring R&B crooner Jeffrey Osborne. Jarreau invites Osborne to reprise his role on the makeover while also sublimely interjecting Osborne’s 1982 breakout hit, “On the Wings of Love,” which Duke originally produced.
“No Rhyme, No Reason” from the 1992 disc, Snapshot, provided Duke yet another timeless Quiet Storm hit that continues to reap heavy rotation on urban radio stations. With the help of songstress Kelly Price, Jarreau delivers an impassioned reading of the lyrics that touch upon a potentially clandestine love affair.
Jarreau incorporates some of Duke’s latter work with sumptuous makeover of “Bring Me Joy,” which appeared on Duke’s 2010 disc, Déjà Vu. Saxophonist Boney James, who arranged the rendition, also unfurls a raspy solo that glides across the languid melody.
Also from Déjà Vu is the slinky “You Touch My Brain,” a funk tune that echoes Sly & the Family Stone. Jarreau handles the humorous blues-laden lyrics superbly while he shares vocal duties with the incomparable Dr. John, who brings a swampy New Orleans vibe. “To sing it with Dr. John in that style just extends the meaning of this great song,” Jarreau enthuses.
Jarreau first met Duke in 1965 when he moved to San Francisco from his hometown of Milwaukee after a stint with the U.S. Army Reserves. Jarreau was working as a social worker and a rehabilitation counselor while also pounding the San Francisco streets for jazz gigs. A young Duke was already making a name for himself in the city by playing weekends at the Half Note. One Sunday night jam session, Jarreau came upon stage and tore it up. The club owner immediately asked Jarreau if he would be willing to join George Duke’s trio on a regular basis. Jarreau leaped at the opportunity and worked with the George Duke Trio for three years, even recording a live LP. “We played together three years at that club; it closed in 1968 and George and I moved on. But that was a very important period for me,” Jarreau recalls.
My Old Friend will surely extend the legacy of George Duke as well as become another crowning jewel in Jarreau own distinguished repertoire. “There are great moments all over this project,” Jarreau says proudly. “I couldn’t possibly cover George’s full range. But I wanted to give people a fun listen with his music for Duke’s diehard fans to once again, enjoy themselves through his music.”
Support: The Ronnie Scotts All Stars
The Ronnie Scott's All Stars are comprised of some of the greatest talents on the U.K scene, including some of our most regular performers James Pearson (piano), Sam Burgess (bass) and Pedro Segundo (drums)
Musical Director at Ronnie Scott’s and the owner of a ferocious piano technique coupled with a sense of musicality rarely heard, James Pearson is one of the most exciting musicians to have emerged from the U.K in the last 25 years. After working with him, the late jazz legend Sir John Dankworth declared: "James Pearson is an exceptionally gifted artist. His masterful playing makes him head and shoulders above the rest of his contemporaries. He shows signs of true greatness".
Double Bass Despite only being in his early 30’s, already Sam is a stalwart of the UK jazz scene. As well as appearing on numerous film soundtracks such as 'Bridget Jones's Diary' and 'Hannibal'. Sam’s thumping, pounding, relentlessly driving bass lines have been heard accompanying the likes of Bob James, Billy Kilson, Gary Novak, Joe Lock, Dave Kekowski, Guy Barker, Dave O'Higgins, Pete King, Gareth Williams, Claire Martin, Jim Mullen, Alan Barnes, Tim Whitehead, John Horler, Gwyneth Herbert, John Dankworth, The BBC Big Band and Robbie Williams.
At 22 years old Pedro Segundo, Portuguese drummer joins the James Pearson Trio at Ronnie Scott’s Jazz Club.
Born and raised in Lisbon, picked up the drums seriously at the age of eight starting studying classical percussion a year later. In June 2011 he graduates from Guildhall School of Music and Drama in Timpani and Classical Percussion. His musical ability combines a blend of styles creating a unique sound on the drum set. He has played regularly with Dennis Rollins, Femi Temowo, Mário Franco, Cleveland Watkiss and many other artists touring in festivals all around the globe.
Other regular performers include:
Dave Ohm (drums), Natalie Williams (vocals), Alex Garnett (sax), Nigel Price (guitar), Steve Rushton (drums), Polly Gibbons (vocals), Alistair White (trombone), Gary Baldwin (hammond), Al Cherry (guitar), Matt Home (drums), Alan Barnes (sax), Ralph Salmins (drums), Arnie Somogyi (bass), Mark Smith (bass), James Nisbet (guitar), Pete Long (sax), Gerard Presencer (Trumpet), Dave O’Higgins (sax), Alec Dankworth (bass), Steve Fishwick (trumpet) and others...
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Tell us what you think of AL JARREAU, Support: The Ronnie Scotts All Stars below..