“Greening on Powell”
Leon Greening – Piano
Dave Chamberlain – Bass
Steve Brown – Drums
Earl Rudolph "Bud" Powell was an American jazz pianist who along with Charlie Parker, Monk, and Dizzy Gillespie was a leading figure in the development of modern jazz, or bebop. . Though Thelonious Monk was a close friend and influence, his greatest piano influence was Art Tatum. His virtuosity led many to call him the Charlie Parker of the piano but he was a pioneer in his own right. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony." Leon Greening has made a name for himself as a brilliant jazz pianist who is among the best on the British jazz scene. Inspired by his predecessors Wynton Kelly, Bud Powell, Vic Feldman and Dudley Moore, his melodic, post-bebop playing is of the highest calibre.
He has some redoubtable companions to work with. Bassist Dave Chamberlain has performed widely in Europe and the UK, and is one of the most sought-after bass players around. Immensely talented drummer Steve Brown is well established, and brings to any band a sense of relaxation with his impeccable time keeping.
“We haven't had anything like this in New York for over twenty years". Wynton Marsalis
Each night Monday to Saturday, after the main act, RonnieScott’s presents the Late Late Show, where some of the UK’s finest jazz talents take to the stage for a late night blowing session.
MONDAY - THURSDAY 11pm-3am
FRIDAY - SATURDAY 1am-3am
ENTRY ON THE DOOR or PREBOOKING AVAILABLE NOW (MON - THUR ONLY)
£10 in advance, £12 on the door, £6 Students (with ID), FREE entry to MU, Club members and main show ticket holders.
In 1959, saxophonist Ronnie Scott opened the door to a small basement club in London’s west end where local musicians could jam. Today, it is one of the world’s most famous jazz clubs attracting packed houses and the biggest names in jazz and popular music and Ronnie Scott’s welcoming, stylish setting is also home to London’s coolestlate night hang.