SOLD OUT - Stacey Kent + support (28/29): Gabriel Latchin Trio , support (1,2 Oct) James Pearson 'graduates trio’ ft. Daisy George (bass) and Will Cleasby (drum

Friday 28th September 2018 - Tuesday 2nd October 2018
Dates: Friday 28th September - Tuesday 2nd October Ticket Prices: £40.00 - £60.00
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Dates:

Friday 28th September 2018
- Tuesday 2nd October 2018

Doors open time

First House
18:00

Second House
22:30

Ticket Prices:

£40.00 - £60.00

Featuring:

Stacey Kent + support (28/29): Gabriel Latchin Trio support (1,2 Oct) James Pearson 'graduates trio’ ft. Daisy George (bass) and Will Cleasby (drum

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Line-up: Stacey Kent, vocals; Jim Tomlinson, saxes, flute; Graham Harvey, piano, fender; Jeremy Brown, bass; Josh Morrison, drums.  

 

The critic Gilles Tordjman once wrote that Brazil was not a nation, but “a region of the heart, where everything seems to ring to the tune of a stronger and more accurate vibration”. This is a sentence that STACEY KENT could no doubt make her own.
At the age of 14, the American singer discovered the endless charms of the album, Getz / Gilberto, an historic encounter of jazz and bossa nova, after which nothing would ever be the same. Over the course of a musical journey that has wandered freely in the open spaces of jazz and song, Brazil became, in her eyes, more than a country: a kind of internalized poetic horizon, a chosen land on an intimate scale, adjusted to the proportions of her soul, her singing and her inspiration. Whether she literally celebrates them through covers of Tom Jobim, Sergio Mendes or Luiz Bonfá, or whether she summons the spirit through the finesse of her performances, Stacey Kent has never loosened the emotional ties that bind her to Brazilian music. An eternal student, this well-informed polyglot, with a degree in comparative literature, has followed her passion to the point of learning the Portuguese language and taking an interest in the cultural and political history of the giant auriverde.

The critic Gilles Tordjman once wrote that Brazil was not a nation, but “a region of the heart, where everything seems to ring to the tune of a stronger and more accurate vibration”. This is a sentence that STACEY KENT could no doubt make her own.

At the age of 14, the American singer discovered the endless charms of the album, Getz / Gilberto, an historic encounter of jazz and bossa nova, after which nothing would ever be the same. Over the course of a musical journey that has wandered freely in the open spaces of jazz and song, Brazil became, in her eyes, more than a country: a kind of internalized poetic horizon, a chosen land on an intimate scale, adjusted to the proportions of her soul, her singing and her inspiration. Whether she literally celebrates them through covers of Tom Jobim, Sergio Mendes or Luiz Bonfá, or whether she summons the spirit through the finesse of her performances, Stacey Kent has never loosened the emotional ties that bind her to Brazilian music. An eternal student, this well-informed polyglot, with a degree in comparative literature, has followed her passion to the point of learning the Portuguese language and taking an interest in the cultural and political history of the giant auriverde.

 

Stacey's appearance at Ronnie Scott's Club is an annual homecoming not to be missed!

"Stacey's singing never lets us forget these songs are about people. Her protagonists come to life so fully in her voice, you sometimes have to remind yourself the CD has no visuals. She has, in fact, much in common with today's finest screen actors who, assured of the camera's ability to pick out detail, portray complex shades of personality, motive and feeling through subtle adjustments of face and posture....here's a great jazz diva of our age." - Kazuo Ishiguro

"Ms. Kent embodied the essence of saudade as persuasively as any of her Brazilian idols. As she threw back her head and crooned softly, you had the sense of a woman with nothing to protect, living in the moment and dreaming out loud.’ - Stephen Holden, THE NEW YORK TIMES

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Supporting Artist/Band

+ support (28/29): Gabriel Latchin Trio

A relative newcomer to the British jazz scene, Gabriel Latchin is fast becoming recognised as one of the country's leading pianists. His hard-swinging, adventurous approach often draws comparisons to his many influences, including Herbie Hancock, Bill Evans and Phineas Newborn

 

 

support (1,2 Oct) James Pearson 'graduates trio’ ft. Daisy George (bass) and Will Cleasby (drum

support tonight comes from our esteemed house pianist and musical director James Pearson with a rhythm section comprised of recent music college Graduates and no doubt rising stars (!) Daisy George on bass and Will Cleasby (drums)


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Dates: Friday 28th September - Tuesday 2nd October Ticket Prices: £40.00 - £60.00
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