SOLD OUT - Lisa Fischer and Grand Baton support: Ed Jones Quartet

Friday 8th February 2019 - Saturday 9th February 2019
Dates: Friday 8th February - Saturday 9th February Ticket Prices: £30.00 - £52.50
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Dates:

Friday 8th February 2019
- Saturday 9th February 2019

Doors open time

First House
18:00

Second House
22:30

Ticket Prices:

£30.00 - £52.50

Featuring:

Lisa Fischer and Grand Baton support: Ed Jones Quartet

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Booking now closed, a few tickets still left on the door.

Line-up: 

Lisa Fischer  vocals 

Jean-Christophe Maillard  musical director, arranger, guitar, SazBass, and backing vocals 

Aidan Carroll  bass and backing vocals 

Thierry Arpino  drums and percussion 

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“Lisa Fischer in concert is addictive. Every performance is so enriching, so exciting, so transcendent that you want more. With remarkable vocal range and vocabulary, Fischer can sing soul, jazz, rock, gospel, pop, folk and classical with equal facility and authority. She often mixes styles in the same song, sometimes in the same vocal line. Her approach tends to be intimate, artful and almost meditative, accompanied by her interpretive dancing, but she also can cut loose and funk with fierceness and rock with abandon.” (Minneapolis Star Tribune, July 2016)
Ms. Lisa Fischer and her band Grand Baton first set out on tour in 2014, with no product to sell, no recordings or video to help book or promote shows, no t-shirts. Despite all that, based on Lisa’s reputation alone, they were invited to play in clubs, at the Newport and Monterey Jazz Festivals, and at concert halls all over the globe, winning accolades from critics, devotion from fans, and — always – invitations to return, soon.
Their music is an organic gumbo of progressive rock, psychedelic soul, and African, Middle Eastern, Caribbean rhythms and classical influences. In performance, they re-invent songs by Led Zeppelin, Amy Grant, Little Willie John, and The Rolling Stones as well as Lisa’s originals. After decades bringing raw soul to the stage for The Rolling Stones, Sting, Tina Turner and Nine Inch Nails, Lisa is emerging as the most inventive and heartfelt interpreter of classic rock songs working today.
Lisa won her first Grammy for “How Can I Ease The Pain,” from her 1991 album So Intense. With a hit song on the radio and a Grammy win, a major solo tour seemed inevitable, but Lisa was on the road, backing either her beloved mentor Luther Vandross or The Rolling Stones. Lisa was a legend in the music industry; everybody loved her sound. But she never put her own band together, never toured under her own name. Now, after years of supporting other artists, electrifying the world’s largest arenas with the power of her voice, Ms. Lisa Fischer has finally taken center stage.
The Oscar-winning 2013 documentary Twenty Feet from Stardom changed the course of Lisa’s musical journey. Featuring clips of Lisa’s legendary duet with Mick Jagger on “Gimme Shelter” and glowing testimonials from famous colleagues, the film showcased her virtuosity and vulnerability, earned her a second Grammy, and left audiences eager to see and hear more. “Ms. Fischer has become the unexpected star of Mr. Neville’s film,” said the New York Times.
Now Lisa is exploring new territory. She is featured on new projects by Lang Lang, Yo-Yo Ma, Billy Childs, and recently collaborated with the Alonzo LINES Ballet. On tour with Grand Baton, Lisa continues to inspire rave reviews from

“Lisa Fischer in concert is addictive. Every performance is so enriching, so exciting, so transcendent that you want more. With remarkable vocal range and vocabulary, Fischer can sing soul, jazz, rock, gospel, pop, folk and classical with equal facility and authority. She often mixes styles in the same song, sometimes in the same vocal line. Her approach tends to be intimate, artful and almost meditative, accompanied by her interpretive dancing, but she also can cut loose and funk with fierceness and rock with abandon.” (Minneapolis Star Tribune, July 2016)

Ms. Lisa Fischer and her band Grand Baton first set out on tour in 2014, with no product to sell, no recordings or video to help book or promote shows, no t-shirts. Despite all that, based on Lisa’s reputation alone, they were invited to play in clubs, at the Newport and Monterey Jazz Festivals, and at concert halls all over the globe, winning accolades from critics, devotion from fans, and — always – invitations to return, soon.

Their music is an organic gumbo of progressive rock, psychedelic soul, and African, Middle Eastern, Caribbean rhythms and classical influences. In performance, they re-invent songs by Led Zeppelin, Amy Grant, Little Willie John, and The Rolling Stones as well as Lisa’s originals. After decades bringing raw soul to the stage for The Rolling Stones, Sting, Tina Turner and Nine Inch Nails, Lisa is emerging as the most inventive and heartfelt interpreter of classic rock songs working today.

Lisa won her first Grammy for “How Can I Ease The Pain,” from her 1991 album So Intense. With a hit song on the radio and a Grammy win, a major solo tour seemed inevitable, but Lisa was on the road, backing either her beloved mentor Luther Vandross or The Rolling Stones. Lisa was a legend in the music industry; everybody loved her sound. But she never put her own band together, never toured under her own name. Now, after years of supporting other artists, electrifying the world’s largest arenas with the power of her voice, Ms. Lisa Fischer has finally taken center stage.

The Oscar-winning 2013 documentary Twenty Feet from Stardom changed the course of Lisa’s musical journey. Featuring clips of Lisa’s legendary duet with Mick Jagger on “Gimme Shelter” and glowing testimonials from famous colleagues, the film showcased her virtuosity and vulnerability, earned her a second Grammy, and left audiences eager to see and hear more. “Ms. Fischer has become the unexpected star of Mr. Neville’s film,” said the New York Times.

Now Lisa is exploring new territory. She is featured on new projects by Lang Lang, Yo-Yo Ma, Billy Childs, and recently collaborated with the Alonzo LINES Ballet. On tour with Grand Baton, Lisa continues to inspire rave reviews from

 

Supporting Artist/Band

support: Ed Jones Quartet

An award winning Uk jazz saxophonist/composer who has been based in London for over 25 years. He works in the UK and internationally with a wide range of his own projects and collaborations.

His experience as a sideman reflects his diverse musical interests: He has worked with Free jazz pioneers John Stevens,Evan Parker.US Jazz Legends Horace Silver, George Benson, Dianne Reeves, Dr Lonnie Smith, Charles Earland, and Clifford Jarvis. Leading Uk Jazz Musicians such as Dick Heckstall-Smith, District Six, Jason Rebello, Orphy Robinson, Claire Martin, Don Weller, Byron Wallen, Tim Richard's Great Spirit, Damon Brown, Monk Liberation Front ,Jonathan Gee, Larry Bartley’s Justus. As a session musician he has performed and recorded with crossover projects such as Incognito, Us3, Jamie Cullum , Terry Callier, and Nostalgia 77, through to R/B legends such as D’Angelo, Bootsy Collins, Chaka Khan Tina Turner, Carlene Anderson, Noel Mccoy and Omar.

He has received numerous composition commissions including:

Arts Council Composition Grant:The Pipers Tales 1993

BBC Jazz on 3 and Bath Festival to write and perform with a 10 piece Uk/Scandinavian electro/acoustic ensemble Burn,(co-led with Finnish Trumpeter Mika Myllari)(2000)

Southern Arts:"Triptych (3 accidents)" (2004)  Woodwinds/Piano/Beats/Electronics inspired by the work of the English painter Francis Bacon.

British Council to compose and perform 1000 Plateaus based on the writings of Gilles Deleuze as part of Expo 2005 in Japan.

Most recently in 2014 a commission from London Jazz Festival in collaboration with The Guildhall School Of Music Jazz Orchestra.

In 2016 Leeds College Of Music Jazz Orchestra Commissioned a new suite of compositions entitled “Pathways”

He formed his first group "Ed Jones Quartet" in 1987. They were the first band to play at the original Jazz Cafe London.He became a regular performer on the emerging Acid Jazz scene at clubs such as The Wag and Dingwalls, and was signed by Giles Peterson recording his first album ”The Homecoming" (Acid Jazz, 1989).

During the 1990’s he formed new groups, toured the Uk and Europe and recorded a further 3 critically acclaimed solo albums"Pipers Tales" (ASC, 1995).''Out Here" (ASC, 1997).
"Seven Moments" (ASC 2002).His 5th album "A view from the..." featuring the ed/ge project was released in spring 2004. This was a Hip/Hop/Beats/ Big Band collaboration with US3 programmer/producer Geoff Wilkinson.

In 2005 he formed Killer Shrimp (co-led) with Trumpeter Damon Brown. The group recorded the highly acclaimed Sincerely Whatever (33 records) in 2006 mixing dance genres and electronica with acoustic jazz. The cd was top of many critics best of list that year and was nominated for Jazz cd of the year 2007 parliamentary jazz awards. The group were awarded Best Jazz Ensemble 2007 at the same awards, and in 2010 released their follow up album Whatever Sincerely(Tales from the Baltic Wharf).

In 2011 he formed a new acoustic contemporary jazz quartet which is currently touring and releasing their first recording "For Your Ears Only" in Autumn 2017. The  Quartet features some of the Uk’s finest creative jazz musicians.

Pianist Ross Stanley is just about everyones first call these days, leading to work recently with US sax giant Seamus Blake.

Bassist Riaan Vosloo leads his acclaimed 12‘s Trio,and collaborates with the likes of Nostalgia 77,Keith Tippett,and Richard Fairhurst.

Drummer Tim Gilles won the Daily Telegraph Young Composer of the Year Award in 1992 at the age of 12 and has gone on to work with Stan Sulzmann, Iain Ballamy, Julian Arguelles,and Tom Arthurs as well co-leading his award winning group Fraud with saxophonist James Alsop

In 2016 he formed the Free Improvisation Trio Bad Ash with Mark Sanders (Drums) and Mark Lewandowski (Double Bass), the group toured the Uk with support from The Arts Council Of England with collaborations along the way with Matthew Bourne, Paul Dunmall, and Corey Mwamba,Alex Bonney and Nick Malcom.

He also works internationally with Scandinavian Trio Stekpana, Finnish trumpeter and composer Mika Myllari and Tokyo-London Jazz connection with Yutaka Shina (piano).

Londonjazznews.com recently included two of his 2016 concerts in their best of year performances.

A Committed Educator, Ed is currently a Principal Lecturer on the Undergraduate and Post Graduate Jazz and Popular Music Courses at Leeds College Of Music and Saxophone/Ensemble tutor for The Yamaha Jazz Summer School at Falmouth University.

Ed Plays DW Saxophones Exclusively 

PRESS QUOTES
”A formidable saxophonist. Ed Jones may have hit his highest profile through his work with bands US3 and Incognito, but he’s an improviser to his fingertips, a player of forceful imagination, and one of the Uk’s most distinctive saxophonists." John Fordham The Guardian.

”The Vigorous, sometimes downright volcanic tenor sound of Ed Jones has long been one of the great live delights of British Jazz. His barnstorming ‘terrier with a rat’ approach raises the musics temperature whenever he solos“. Chris Parker, Jazzwise.

“One of the most fluent and forceful saxophonists in Europe” Jack Massarik Evening Standard

”One of Europes most exciting and inovative bandleaders"-BBC Music Magazine

“Risk taking arrangements and compositions, seriously engaging territory” Tom Barlow Jazz wise

“Inventive, physical, full of life, on the edge and unmistakably of today” Chris May, All about Jazz

“For Best gigs of 2016 twice this year - at the 606 with Killer Shrimp and a low-key pub gig - from someone with his 'out' image, the most imaginative and exciting evenings of song book and jazz standards I have heard in years. - Brian Blain LondonJazzNews.com


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Dates: Friday 8th February - Saturday 9th February Ticket Prices: £30.00 - £52.50
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