SOLD OUT - Georgie Fame & The Blue Flames support (2nd-4th): John Horler Trio, Support (5th-7th early shows): The Ronnie Scotts All Stars

Monday 2nd September 2019 - Saturday 7th September 2019
Dates: Monday 2nd September - Saturday 7th September Ticket Prices: £45.00 - £65.00
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Monday 2nd September 2019
- Saturday 7th September 2019

Doors open time

First House

Ticket Prices:

£45.00 - £65.00


Georgie Fame & The Blue Flames support (2nd-4th): John Horler Trio Support (5th-7th early shows): The Ronnie Scotts All Stars

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Booking now closed, a few tickets still left on the door.

LINE UP TBC but likely lineup as follows: Georgie Fame vocals/organ/piano, Guy Barker - trumpet, Alan Skidmore - tenor sax, Antony Kerr - vibes, Tristan Powell - guitar, Alec Dankworth – bass, James Powell - drums

Born Clive Powell on June 26, 1943 in the English industrial town of Leigh, Lancashire, Georgie Fame’s interest in music initially grew out of his family entertaining in the home and musical evenings in the church hall across the street, where his father also played in an amateur dance band. Although young Clive began piano lessons at age seven, he didn’t stick too long with the formal training. But when rock and roll started to be broadcast on the radio during the mid-fifties, a then-teenage Clive began to take the piano more seriously.


Fats Domino, Jerry Lee Lewis and Little Richard were among his idols and that was the basis of his earliest “professional” style. Upon leaving school, shortly after his 15th birthday, he followed the family tradition and took a job as an apprentice cotton weaver in one of the many local mills, but his leisure time was spent playing piano in various pubs and with a local group, “The Dominoes.”
In July 1959, at a summer holiday camp, Clive was spotted by Rory Blackwell, the resident rock and roll bandleader. Blackwell offered the young singer/pianist a full time job and the teenager happily left his job at the weaving mill. Rory and the Blackjacks departed for London, their hometown, when the summer season ended prematurely and Clive went with them. The promise of lucrative work in the music business didn’t materialize, however, and the band broke up. The determined young man from Leigh opted to stay on in London, but for a time it proved rough going. He tried unsuccessfully to make his way back home, and eventually he had the good fortune of finding “lodging” at The Essex Arms pub in London’s Dockland, where the kindly landlord provided him a room where he could sleep.

In October of that year, the Marty Wilde Show was performing at the Lewisham Gaumont and Rory Blackwell arranged for Clive to audition “live” for impresario Larry Parnes. After walking on stage, without any rehearsal, he sang Jerry Lee Lewis’ High School Confidential and was promptly hired as a backing pianist for the Parnes “stable” of singers. As with all the other young talent Parnes had taken on (such as Billy Fury and Johnny Gentle), he renamed Clive Powell “Georgie Fame,” and the name has stuck to this day. By the age of 16, Georgie had toured Britain extensively, playing alongside Marty Wilde, Billy Fury, Eddie Cochran, Gene Vincent, Tony Sheridan, Freddie Canon, Jerry Keller, Dickie Pride, Joe Brown and many more. During this time, Billy Fury selected four musicians, including Fame, for his personal backing group and the “Blue Flames” were born. At the end of 1961, after a disagreement, the band and Fury parted company.

Another gloomy out-of-work period finally ended in March 1962, when Georgie Fame and the Blue Flames took up what was to be a three-year residency as the house band at the Flamingo Club in London’s Soho district. According to Georgie, they played “rhythm and blues all-nighters to black American GIs, West Indians, pimps, prostitutes and gangsters.” The band’s reputation as “the epitome of cool” spread rapidly, and in 1963 their first album, Rhythm and Blues at the Flamingo, was recorded live at the club. A string of hit records in the following years included the No. 1 best sellers, Yeh Yeh (the first recording that knocked The Beatles off the number one spot in the charts), Getaway and 1967’s The Ballad of Bonnie and Clyde. Due to his great popularity, Georgie Fame and the Blue Flames were the only UK act invited to perform with the first Motown Review when it hit London in the mid-1960s. During this time, Georgie also pursued his interest in jazz, recording the milestone album, Sound Venture, with the Harry South Big Band. This led directly to successful tours of the UK and Europe in 1967 and 1968, which found Georgie singing with the Count Basie Orchestra.

From 1970 to 1973, Georgie Fame worked almost exclusively in a partnership with fellow musician Alan Price (former keyboard player for The Animals). The duo were featured in their own television series “The Price of Fame,” guested on countless others, and produced the hit single Rosetta. Their partnership came to a close several years later, but the television exposure had made Georgie Fame a household name in Britain.

In 1974, Georgie reformed the Blue Flames and they continue working with him (in one form or another) to this day. At that time, Georgie also began to regularly step away from the keyboards to sing with Europe’s finest orchestras and big bands, a musical tradition he still currently pursues. During the seventies, he also wrote “jingles” for several UK radio and TV commercials and composed the music for the feature films Entertaining Mr. Sloane and The Garnett Saga.

In 1981, Georgie co-produced and performed with jazz vocalist, Annie Ross, on the album In Hoagland, which featured the music of the legendary Hoagy Carmichael. After Georgie met with Hoagy at his home in Palm Springs, California, a film based on the album was made by Scottish television. It went on to win a gold award at The New York Television Festival. A similar tribute to Benny Goodman, In Goodmanland, recorded in Sweden with vocalist Sylvia Vrethammar, followed in 1983. In 1988, during one of his regular visits to Australia, Georgie produced the album, No Worries, with the Aussie Blue Flames. And in 1989, the album, A Portrait of Chet, dedicated to jazz trumpeter Chet Baker, was recorded in Holland.

Another project, completed in the eighties, was a musical written with fellow composer, Steve Gray. This outstanding piece of music remains unperformed in public with the exception of a prototype version that was broadcast on Dutch radio with the Metropole Orchestra, featuring Madeline Bell.

It was also in 1989 that Georgie Fame joined forces with Van Morrison, after having been invited to play Hammond organ on Van’s Avalon Sunset album the previous year. He continued to record and tour with Morrison throughout the nineties. During that time, he and Van co-produced and performed on the Verve albums, How Long Has This Been Going On, released in 1995 and Tell Me Something: The Songs of Mose Allison, released in 1996.

In 1990, Georgie Fame signed with producer Ben Sidran’s Go Jazz Records and his first album, Cool Cat Blues, was released on that label in 1991. Recorded in New York City, it featured such musical luminaries as Van Morrison, Jon Hendricks, Boz Scaggs, Will Lee, Robben Ford, Richard Tee and Bob Malach. The follow-up album, The Blues and Me, completed in 1991 and released in 1992, was recorded in similar musical company. It also featured special guests Dr. John, Phil Woods, Stanley Turrentine and Grady Tate. In 1992, the album, Endangered Species, was recorded with the Danish Radio Big Band in Copenhagen and in 1993, the album, City Life, featuring Fame, Madeline Bell and the BBC Big Band was released.

A unique album by Three Line Whip (featuring Georgie’s sons, Tristan and James), Three Line Whip/Will Carling, was released in the UK in May 1994, with close family friends and musical associates of many years standing joining the trio in the studio. They included Guy Barker, trumpet; Peter King, alto sax; Alan Skidmore, tenor sax; Steve Gregory, tenor sax/flute; Anthony Kerr, vibraphone; Brian Odgers, bass guitar and Steve Gray, digital piano. Another Three Line Whip album, Name Droppin', was released in 1997, after being recorded live in true Blue Flames style at Ronnie Scott’s Jazz Club in London during one of their annual residencies. A second album, Walking Wounded, from the same sessions, was released the following year.

Also in 1997, bassist Bill Wyman began forming his new band The Rhythm Kings and Georgie Fame became a founding member. Since that time, there have been five CDs and several tours, and The Rhythm Kings "reform" periodically to tour and record to the present day. During 1999, Fame presented several radio programs on BBC Radio, including his own six-week series featuring The Blue Flames plus special guests, including Madeline Bell, Bill Wyman, Zoot Money, Peter King, Steve Gray and Claire Martin. In the year 2000, Georgie’s critically-acclaimed CD, Poet in New York, was voted Best Jazz Vocal Album by the Academie du Jazz in France. In 2001, the latest Three Line Whip CD, Relationships, was released, which included some of Georgie Fame’s finest songwriting to date. In the same year, a compilation CD, Funny How Time Slips Away: The Pye Anthology, was released.

Throughout his 40-year career, Georgie Fame has recorded over 20 albums and 14 hit singles. He is equally at home in the company of jazz groups and big bands, orchestras, rock groups and his own band, The Blue Flames. As a sideman, he has recorded with many artists, including Gene Vincent, Prince Buster, Muddy Waters, Eric Clapton, Joan Armatrading, Andy Fairweather-Low, Bill Wyman and Van Morrison. Ever on the road, Georgie Fame continues to perform his unique blend of jazz/rhythm and blues for live audiences at clubs and music festivals throughout Europe.

Amongst his musical influences and heroes, he names Fats Domino, Ray Charles, Mose Allison, Duke Ellington, Count Basie, Thelonius Monk, Betty Carter, Peggy Lee, Jimmy Smith, Booker T, Chet Baker, Johnny Griffin, Jon Hendricks, Eddie Jefferson, King Pleasure, Lambert, Hendricks and Ross, Sonny Rollins, Richard “Groove” Holmes and many, many more.

Supporting Artist/Band

support (2nd-4th): John Horler Trio

John is a highly respected pianist and composer who has earned a formidable reputation on the British jazz scene over many years. His credentials as a musician are as impeccable as they are diverse. He started studying at the Royal Academy of Music at the precocious age of sixteen. He acquired his LRAM. Unlike today, Jazz was not valued or studied at the Academy, so he didn’t find himself launched onto the jazz scene at an early age. But his abilities were acknowledged by the Royal Academy at a later stage when he was made an ARAM for services to music!

The route to success was through pub gigs and appearances on BBC’s Jazz Club, funded by work as a successful session musician. As his reputation grew he found himself increasingly supporting American jazz stars, such as Bob Brookmeyer, Clark Terry, Zoot Sims, Al Cohn, Art Farmer, Pepper Adams, Bud Shank, and Shorty Rodgers. One of the most memorable of these events was working with Chet Baker for a week at The Canteen in Great Queen Street.

He worked closely with Pete King, Tommy Whittle, Tony Coe and the late great Ronnie Ross for many years, playing regularly in their groups and recording with them. For the last twenty years he has been first pianist to Sir John Dankworth and Dame Cleo Laine. His most recent accolade was Critics choice Jazz pianist of the year 2002.

Finally in 1993 he started making his own recordings, highlighting his own compositions alongside his favourite standard tunes. The first recording was Lost Keys recorded with Jeff Clyne and Trevor Tomkins in 1993. The most recent is the new Modern Jazz Trio album with Sam Burgess and Mike Smith - The Key to it All released by Divingduck Records in April 2007

Support (5th-7th early shows): The Ronnie Scotts All Stars

The Ronnie Scott's All Stars are comprised of some of  the greatest talents on the U.K scene, including some of our most regular performers James Pearson (piano), Sam Burgess (bass) and Pedro Segundo (drums)

James Pearson:-

Musical Director at Ronnie Scott’s and the owner of a ferocious piano technique coupled with a sense of musicality rarely heard, James Pearson is one of the most exciting musicians to have emerged from the U.K in the last 25 years. After working with him, the late jazz legend Sir John Dankworth declared: "James Pearson is an exceptionally gifted artist. His masterful playing makes him head and shoulders above the rest of his contemporaries. He shows signs of true greatness".

Sam Burgess:- 

Double Bass Despite only being in his early 30’s, already Sam is a stalwart of the UK jazz scene. As well as appearing on numerous film soundtracks such as 'Bridget Jones's Diary' and 'Hannibal'. Sam’s thumping, pounding, relentlessly driving bass lines have been heard accompanying the likes of Bob James, Billy Kilson, Gary Novak, Joe Lock, Dave Kekowski, Guy Barker, Dave O'Higgins, Pete King, Gareth Williams, Claire Martin, Jim Mullen, Alan Barnes, Tim Whitehead, John Horler, Gwyneth Herbert, John Dankworth, The BBC Big Band and Robbie Williams. 

Chris Higginbottom - drums

Musically inclined, Higginbottom took piano lessons at the age of seven. A year later he joined the Waltham Abbey choir and in time became head chorister. Meanwhile, his interest shifted to jazz and he took lessons as a drummer from the age of 11. He was spotted by the Essex Youth Jazz Orchestra and he also played with the National Youth Jazz Orchestra. After studying at London’s Royal Academy of Music, he graduated in 2000. Higginbottom had begun playing in a quartet he led with saxophonist Sammy Mayne and this group won the 2000 Perrier Young Jazz Band Of The Year award.

Notably, Higginbottom played in the early 00s with the contemporary jazz quartet led by saxophonist Ian East and pianist David Beebee, of which the fourth member is bass player Robin Mullarkey, appearing with the group on a 1999 Beeboss Records date that resulted in the acclaimed Momentito. Higginbottom also played with Guy Barker and Tim Garland. In 2002 he went to New York, there performing with musicians such as Gary Bartz and Ingrid Jensen. He returned to the UK for a tour promoting his 2005 release, One. This album, by Higginbottom’s New York quartet, features Seamus Blake (saxophone), Aaron Goldberg (piano) and Orlando Le Fleming (bass). He draws his repertoire from his own compositions, which include ‘Stray Dates’, ‘She Walks In Beauty’ and ‘Sunday’, and from music written by noted earlier generation jazz musicians including Dizzy Gillespie and Gil Fuller (‘Manteca’), Herbie Hancock (‘The Sorcerer’), Bud Powell (‘Un Poco Loco’) and Wayne Shorter (‘Blues A La Carte’). By the mid-00s, Higginbottom was widely acclaimed as an important contributor to the currently flourishing contemporary jazz scenes of both London and New York. (NB: Not to be confused with the US CCM singer of the same name.)


Other regular performers include:

Dave Ohm (drums), Natalie Williams (vocals), Alex Garnett (sax), Nigel Price (guitar), Steve Rushton (drums), Polly Gibbons (vocals), Alistair White (trombone), Gary Baldwin (hammond), Al Cherry (guitar), Matt Home (drums), Alan Barnes (sax), Ralph Salmins (drums), Arnie Somogyi (bass), Mark Smith (bass), James Nisbet (guitar), Pete Long (sax), Gerard Presencer (Trumpet), Dave O’Higgins (sax), Alec Dankworth (bass), Steve Fishwick (trumpet) and others...

To find out more, please go to:

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Dates: Monday 2nd September - Saturday 7th September Ticket Prices: £45.00 - £65.00
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