Wednesday 25th September 2019
- Sunday 29th September 2019
£45.00 - £65.00
The critic Gilles Tordjman once wrote that Brazil was not a nation, but “a region of the heart, where everything seems to ring to the tune of a stronger and more accurate vibration”. This is a sentence that STACEY KENT could no doubt make her own.
At the age of 14, the American singer discovered the endless charms of the album, Getz / Gilberto, an historic encounter of jazz and bossa nova, after which nothing would ever be the same. Over the course of a musical journey that has wandered freely in the open spaces of jazz and song, Brazil became, in her eyes, more than a country: a kind of internalized poetic horizon, a chosen land on an intimate scale, adjusted to the proportions of her soul, her singing and her inspiration. Whether she literally celebrates them through covers of Tom Jobim, Sergio Mendes or Luiz Bonfá, or whether she summons the spirit through the finesse of her performances, Stacey Kent has never loosened the emotional ties that bind her to Brazilian music. An eternal student, this well-informed polyglot, with a degree in comparative literature, has followed her passion to the point of learning the Portuguese language and taking an interest in the cultural and political history of the giant auriverde.
Stacey's appearance at Ronnie Scott's Club is an annual homecoming not to be missed!
"Stacey's singing never lets us forget these songs are about people. Her protagonists come to life so fully in her voice, you sometimes have to remind yourself the CD has no visuals. She has, in fact, much in common with today's finest screen actors who, assured of the camera's ability to pick out detail, portray complex shades of personality, motive and feeling through subtle adjustments of face and posture....here's a great jazz diva of our age." - Kazuo Ishiguro
"Ms. Kent embodied the essence of saudade as persuasively as any of her Brazilian idols. As she threw back her head and crooned softly, you had the sense of a woman with nothing to protect, living in the moment and dreaming out loud.’ - Stephen Holden, THE NEW YORK TIMES
+ support (25/26): Gabriel Latchin Trio
A relative newcomer to the British jazz scene, Gabriel Latchin is fast becoming recognised as one of the country's leading pianists. His hard-swinging, adventurous approach often draws comparisons to his many influences, including Herbie Hancock, Bill Evans and Phineas Newborn
feat. GABRIEL LATCHIN piano CALUM GOURLAY bass MATT FISHWICK drums (25th), STEVE BROWN drums (26th)
support (27+28 early) ALISON NEAL QUARTET
ALISON NEAL QUARTET feat ALISON NEAL sax COLIN OXLEY guitar ADAM KING bass MATT FISHWICK drums
Tell us what you think of Stacey Kent, + support (25/26): Gabriel Latchin Trio , support (27+28 early) ALISON NEAL QUARTET below..