Livestreaming Tonight: Charlie Parker Centenary with Gilad Atzmon & the Sigamos String Quartet

Thursday 27th August 2020
Date: Thursday 27th August
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Thursday 27th August 2020


Livestreaming Tonight: Charlie Parker Centenary with Gilad Atzmon & the Sigamos String Quartet

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Presenting the #returnsessions: live-streaming at Ronnie Scott's Jazz Club!

Donations: it is important in these uncertain times that these sessions remain free for all to view for now, so we are funding these entirely through donations - please make a donation so we can keep producing these for you, support our artists and live music - thank you! Donation >>

With life currenty on hold for most, Ronnie's is keeping the music playing! Tune in tonight to our next session @ 7pm UK time. The Stream will appear live here so simply bookmark this page. It is also available directly from our facebook and YouTube pages. 

The extraordinary, trailblazing career of jazz titan and influential composer Charlie Parker will be celebrated by award winning saxophonist Gilad Atzmon augmented by the Sigamos String Quartet commemorating the 100th anniversary of his birth (August 29, 1920)

Line-up: GILAD ATZMON alto sax/ tenor sax/clarinet; ROSS STANLEY piano; DAVE CHAMBERLAIN bass; CHRIS HIGGINBOTTOM drums; ZANETE USHANE violin; MARIANNE HAYNES violin; BRUCE WHITE viola; IAN BURDGE cello


Unclassifiable, charismatic, a central figure on the British and world jazz scenes, Gilad Atzmon performs a homage to arguably the greatest saxophonist in jazz history, Charlie Parker.



During his brief but remarkable career, the alto saxophonist nicknamed "Bird" gave jazz lightning tempos, mind-bending chord substitutions, and previously unexplored harmonic depth, paving the way for hard bop, free jazz, fusion and everything after.  Parker was born in Kansas City, Kansas, in 1920, but "Bird" was arguably born during a jam session at the city's Reno Club in 1937. Invited to play with Count Basie's drummer Jo Jones, 16-year-old Parker began a promising solo over George Gershwin's "I Got Rhythm" — and bricked on the chord changes. Jones threw a cymbal that clashed at Parker's feet; the audience jeered. Instead of giving up the horn, he practiced harder than ever and moved to New York City in 1939 to prove his mettle.

One night that year, Parker woodshedded the Ray Noble song "Cherokee" with the guitarist William "Biddy" Fleet and had a eureka moment. "I'd been getting bored with the stereotyped changes that were being used all the time," he later told Down Beat. "By using the higher intervals of a chord as a melody line and backing them with appropriately related changes, I could play the thing I'd been hearing. I came alive." Armed with this new knowledge, Parker composed pieces that went on to be standards, like "Yardbird Suite," "Chasin' the Bird" and "Ornithology."

Parker, who died in 1955 at only 34, was a meteoric musician that burned bright and much too quick. But his legacy more than lives on; it's jazz scripture. Jack Kerouac called him "as important as Beethoven." Four of his recordings were inducted into the Grammy Hall of Fame including albums Charlie Parker With Strings and Jazz At Massey Hall and the songs "Ornithology" and "Billie's Bounce." In 1974, he was awarded a posthumous Grammy for Best Performance By A Soloist for "First Recordings." In 1988, the Clint Eastwood-directed biopic "Bird" brought his story to the silver screen. The U.S. Postal Service issued a commemorative stamp in his honor in 1995.

Although his life and career were short, the New Yorker has praised Parker as "one of the wonders of twentieth-century music" and the New York Times deemed him "matchless" and a "bebop exemplar." And Parker's popularity continues to grow. Today, one of his saxophones is on view at the Smithsonian's National Museum of African American History and culture in Washington, D.C. — an enduring reminder that America will always have a "Bird" in its hand.



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Date: Thursday 27th August
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