Thursday 13th May 2021
Our doors are still closed to live audiences but we can still give you some live music. The show will be at 8pm BST. The live stream will appear live here so simply bookmark this page. It is also available directly from our Facebook and our YouTube channel.
Donations: it is important in these uncertain times that these sessions remain free for all to view for now, so we are funding these entirely through donations - please make a donation so we can keep producing these for you, support our artists and live music - thank you!
Donation link >> https://ko-fi.com/ronniescotts
Line-up: NISHLA SMITH vocals; TOM HARRIS piano
"Nishla Smith’s original ballads sound like standards from the American Songbook … maudlin moments shoulder ecstatic reveries…" London Jazz News
‘Moments’ is a three-part conceptual concert programme from imaginative song-interpreters Nishla Smith and Tom Harris.
Over the course of three May 2021 livestreams, they’ll tell a continuing story, shifting perspective from show to show, weaving together beloved songs and original music with new poetry, stories, and musical interludes.
In Part 1: Falling Down Wells, presented as part of Ronnie Scott’s Lockdown Sessions livestream series, they’ll tell the story of a boy who lately has found himself falling down wells. He thinks as he falls, his mind roaming over stores old and new, as he talks to the beetles and snakes that live underground, until, glancing up he notices a Lark, silhouetted against the moonlit sky. Featuring a diverse programme, from Holiday to Ellington, via Dvorak and Joni Mitchell.
“Simply Sublime” The Reviews Hub
Nishla and Tom have been playing together for three years, and their symbiotic duo relationship has blossomed sideways into an array of creative projects– from staged work with cross-disciplinary theatre collective Ulita, to the contemporary interpretation of standards with jazz band, Shrews. At the core of their partnership is a deep respect for the history and culture of the music they play, and a preoccupation with drawing out the characters and stories they find there.
As a duo they’ve played for Manchester Jazz Festival, the Cubitt Sessions curated by Kings Place and Bridgewater Hall. With Ulita they’ve made work for Opera North, Lancaster Jazz Festival and Britten Pears Arts. Expect a collage of music– from original, some from the Great American Songbook– all approached with musical freeness, and drawn through their joint lens into a curious, winding narrative.
Nishla Smith is a singer and writer driven by a desire to tell stories. Her unique musical sensibility, along with this preoccupation with narrative, is recurrent throughout a diverse array of musical projects.
In 2020, she toured her first staged work, ‘What Happened to Agnes’, created in collaboration with visual artist Luca Shaw and jazz pianist Tom Harris. ‘Agnes’ was co-produced by Opera North and Leeds Playhouse, and toured nationally with support from Arts Council England.
Following ‘Agnes’, Nishla and her collaborators formed Ulita, a cross-disciplinary arts collective focused on creating music-driven theatre. She was awarded a ‘Developing Your Creative Practice’ grant to work with the Ulita team on a second show. ‘Sister’ will commence rehearsals at Britten Pears Arts this summer with support from Arts Council England, and has been selected as part of Mercury Musical Developments’ BEAM, a showcase for new British musical theatre.
Outside of her work with Ulita, Nishla heads up an original jazz band, the Nishla Smith Quintet. Formed out of a residency at Sage Gateshead, the quintet recently joined Jazz North’s Northern Line artist roster. Their recent performances have included Manchester and Lancaster Jazz Festivals, NQ Jazz, and Vortex Jazz Club, and they are set to release a debut album in 2021.
In November 2020, Nishla was selected as a CIty Music Foundation artist, and will work with them over the next two years to develop the different strands of her practice.
Tom Harris is a Mancunian pianist, improviser, and composer, most heavily influenced by Black American Music.
Since graduating from the Royal Birmingham Conservatoire's BMus Jazz course in 2018, Harris has worked extensively with musicians from across the UK (including Rosie Tee, Marco Woolf, Andy Scott), and developed three longer-term projects - textural voice/piano duo 'wilkins/harris', groove-based 'Trampette', and 'Ulita', a multi-disciplinary theatre collaboration with vocalist/composer Nishla Smith and visual artist Luca Shaw.
Most recently, he recorded an EP of freely improvised music with drummer Kai Chareunsy, set to be released in spring 2021.
Photo credit © Benjamin Ealovega